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Reihe: Der Pharmazeutische Betrieb, Band 7In 11 Kapiteln bietet diese Monographie in der grundlegend und umfassend überarbeiteten Ausgabe alles Wissenswerte zu dem Themenkomplex Tablette. Einen Schwerpunkt bildet die Darstellung der technischen Möglichkeiten bei der Tablettenherstellung. Betrachtet werden dabei betriebliche, personelle und räumliche Anforderungen sowie die wichtigsten Maschinen aufdem Markt.Neben der Tablettenherstellung werden auch die diversen Prüfmöglichkeiten während und nach der Produktion vorgestellt, verbunden mit Hinweisen auf die international unterschiedlichen Anforderungen. Weiterhin werden die Themen Komplikationen bei der Produktion, Überziehen von Tabletten, Bedrucken, Konfektionieren, Abfüllen, Verpacken, Lagern sowie die Tablettenfabrik behandelt. Die Monographie enthält zahlreiche Abbildungen, Schemazeichnungen, graphische Darstellungen und Tabellen sowie reichhaltige Nachweise einschlägiger Literatur. Das Werk sollte dem Praktiker ständig zur Verfügung stehen; dem pharmazeutischen Nachwuchs vermag es eine solide Wissensgrundlage zu vermitteln. Die Tablette. Handbuch der Entwicklung, Herstellung und Qualitätssicherung. [Gebundene Ausgabe] Wolfgang A. Ritschel (Autor), Annette Bauer-Brandl (Autor) In deutscher Sprache. 647 pages. 25 x 17,7 x 4,2 cm Auflage: 2., vollständig überarbeitete und erweiterte Auflage.

Fine paperback. Overall a bright and attractive copy, as new. Illustrated. 265 pp.

A collection of classic comic strips from a master of American comics and art.Out of print for a decade, this new edition (with newly designed covers) of The Comic Strip Art of Lyonel Feininger features one of the ten cartooning greats featured in the historic "Masters of American Comics" show produced by the Los Angeles Hammer Museum and Museum of Contemporary Art and currently traveling across the country. It is the only complete collection of the legendary comic strips of one of the medium's all-time greatest artists. Known worldwide for his accomplishments as a painter, Feininger began his career as a cartoonist, producing—all too briefly—two beautifully ambitious comic strips for the Chicago Sunday Tribune in 1906: The Kin-Der-Kids and Wee Willie Winkie's World, both of which remain high points in the history of strip cartooning. The Kin-Der-Kids is a rollicking comic opera of the ludicrous exploits of a group of young adventurers as they set off around the world in their bathtub with the oppressive Auntie Jim-Jam in hot pursuit. Wee Willie Winkie's World is a Little Nemo-esque visual tour-de-force of a little boy's charming fantasy world. Long considered an equal of Winsor McCay and George Herriman, Feininger's place in strip history is cemented with this beautiful, full-color, oversized collection, edited and featuring an introduction by historian Bill Blackbeard (Krazy & Ignatz).

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

In the years 1988-1995 the Japanese architect Tadao Ando built a museum complex complete with a hotel, restaurant and seminar rooms on the island Naoshima (Kagawa). Constructed out of concrete, its platforms and walls extend far out into the landscape, framing the natural surroundings as a picture. Ando's customary restraint in his selection of materials, and his preference for simple forms which allow the serenity of the surrounding land and seascape to penetrate the rooms are much in evidence in this masterpiece. In this book, Werner Blaser has successfully captured the essence of tranquility so characteristic of Ando's architecture. His photographs are of an extraordinarily beautiful and reflective intensity. Also included is an introductory essay, drawing comparisons to Ando's other buildings which all succeed in combining nature and geometry.

Nets features works of art that play with the idea of webs and networks, from spiders' webs to diagram structures. Among the contributing artists are Edward Burtynsky, Trevor Paglen, Dan Perjovschi, Chiharu Shiota and Jorinde Voigt. In addition, authors from various disciplines comment on various related keywords, such as "digital," "spider," "web" and "sensory."

Mies van der Rohe's architecture has been well documented, yet his writings that contain the key to his thought and to understanding his work have been largely unexplored. From Mies' library - including his marginal notes - and from a body of writing that is surprisingly large for the self-described "unwilling author," Fritz Neumeyer reconstructs the metaphysical and philosophical inquiry on which Mies based his modernism. An integrated view of Mies' philosophy of building, including his American career, emerges from Neumeyer's investigation. He proposes, for instance, that the Catholic church architect and writer Rudolf Schwarz, the Bauhaus thinker Siegried Ebeling, and the Catholic scholar Romano Guardini may have exerted an even greater influence on Mies than the frequently cited Plato, St. Augustine, and St. Thomas Aquinas and he points to the ways in which the thinking of other architects, such as Peter Behrens and Hendrik Petrus Berlage, affected Mies's development. Neumeyer also asserts that while Mies fervently believed in technology, in the notion that a building's form had to emerge from the nature of its materials, this view later shifted to include personal ordering of what Mies regarded as spiritual determinants, resulting in a new unity of spirit and fact that was best exemplified in the Barcelona Pavilion. And he argues, in opposition to Bruno Zevi, that the conflict between proclassical and anticlassical concepts and ideas is always present in Mies' work, a dualism of concepts that Mies followed in all his country houses and villas of the 1920s.

Rogier van der Weyden (1400–1464) was an early Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. In this volume, numerous large-sized illustrations showcase the artist’s oeuvre, and authoritative texts illustrate the decisive stages in the artist’s life and in the development of his work, explaining their significance in the context of his time and for the following generations of artists.

500 pages. German language. 8.43x5.28x1.42 inches. In Stock.

224 pages color illustrations throughout. Foreword by Thomas Röske, Bettina Brand-Claussen, and Gerhard Dammann. Stiff Illustrated wraps. Karin and Gerhard Dammann in Conversation with Thomas Röske. Text is in German and English. List of Exhibits. List of Authors.

A collection of classic comic strips from a master of American comics and art.Out of print for a decade, this new edition (with newly designed covers) of The Comic Strip Art of Lyonel Feininger features one of the ten cartooning greats featured in the historic "Masters of American Comics" show produced by the Los Angeles Hammer Museum and Museum of Contemporary Art and currently traveling across the country. It is the only complete collection of the legendary comic strips of one of the medium's all-time greatest artists. Known worldwide for his accomplishments as a painter, Feininger began his career as a cartoonist, producing—all too briefly—two beautifully ambitious comic strips for the Chicago Sunday Tribune in 1906: The Kin-Der-Kids and Wee Willie Winkie's World, both of which remain high points in the history of strip cartooning. The Kin-Der-Kids is a rollicking comic opera of the ludicrous exploits of a group of young adventurers as they set off around the world in their bathtub with the oppressive Auntie Jim-Jam in hot pursuit. Wee Willie Winkie's World is a Little Nemo-esque visual tour-de-force of a little boy's charming fantasy world. Long considered an equal of Winsor McCay and George Herriman, Feininger's place in strip history is cemented with this beautiful, full-color, oversized collection, edited and featuring an introduction by historian Bill Blackbeard (Krazy & Ignatz).

Heinz Siery was one of the most important personalities in the field of ceramics design in the 1950s and 1960s. His design forms significantly shaped the style of the products of companies such as Fohr, Scheurich, Carstens and Ruscha. Ingrid Siery also began her artistic career in the ceramics industry. She designed decorative objects for Georg Schmider and Carstens and oversaw the design department at the Wächtersbach earthenware factory.Since 1969, the artist couple have been working independently in their own Syré atelier. Apart from commissioned work such as designing tiled stoves and ceramic wall decorations, they also create their own works, such as figural sculptures made of bronze, whose simplicity and elegance have fascinated the couple from the beginning. They have created sleek sculptures with a minimalist, classical form and clear lines that are reminiscent of Henry Moore and Joannis Avramidis.Their atelier near Euskirchen houses a sculpture park and more than 300 of the couple's works - it is in itself a work of art reflecting the artistic life of Ingrid and Heinz Siery.Text in English and German.

Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand mit leichten Lagerspuren, als Mängelexemplar gekennzeichnet -Vor über 66 Millionen Jahren von der Erde verschwunden, üben Dinosaurier seit ihrer Wiederentdeckung im 19. Jahrhundert eine ungeheure Faszination auf den Menschen aus. Kein Wunder, dass man früh den Wunsch verspürte, nicht nur Fossilien und Skelette betrachten zu können. Im Jahr 1830 malte ein englischer Wissenschaftler namens Henry De la Beche das erste Stück Paläokunst: eine überwältigende, herrlich makabre Darstellung prähistorischer Reptilien, die sich unter Wasser bekämpfen. Seitdem haben sich Künstler in aller Welt darangemacht, unsere Vorstellung einer prähistorischen Zeit mit Visionen von Dinosauriern, Wollmammuts, Höhlenmenschen und anderen Kreaturen zu illustrieren, in denen sie wissenschaftliche Fakten mit zügelloser Fantasie vermengen. Anhand von Werken aus der Zeit von 1830 bis 1990 zeichnet dieser Band die wundersame Geschichte der Paläokunst nach und macht augenfällig, wie sehr Zeitgeist, gesellschaftliche Verhältnisse und individuelle künstlerische Präferenzen das Bild der Urzeit bestimmten. So begegnen wir Dinos, die vom Fauvismus, vom Japonismus oder vom Jugendstil geprägt sind, viktorianischen und sowjetrussischen Sauriern, Pulp-Dinos, albtraumhaften Monstern und majestätischen Titanen, aufgespürt in großen Naturkundemuseen, obskuren Archiven und privaten Sammlungen. Mit einem Vorwort des Künstlers Walton Ford und einem Essay von Zoë Lescaze gewährt diese Sammlung tiefe Einblicke in ein vernachlässigtes Randgebiet der Kunstgeschichte und zeigt, wie viel Paläokunstwerke nicht nur über Dinosaurier verraten, sondern auch über uns moderne Menschen selbst. 292 pp. Deutsch

Neuware - Neun mal drei Stühle zu Ehren der Wissenschaften so der Titel der Serie, die aus insgesamt 27 Stühlen besteht, die die Wissenschaften darstellen sollen. Hier werden Beispiele einer bereits langjährigen Zusammenarbeit zwischen dem Künstlerpaar, dem Bildhauer und Performancekünstler Jürgen Walter und der Schriftstellerin Zehra Çirak präsentiert. Skulptur-Objekte mit dazu entstandenen Texten, die sich mit einer Auswahl der Natur- und Geisteswissenschaften beschäftigen.Jürgen Walters Serie von Kunst-Objekten, die verschiedenen Forschungsbereichen nachgeht - mal kritisch mal ironisch, aber stets mit respektvoller Achtung vor deren Ergebnissen - ermöglicht ganz eigene Einblicke in diese Wissenschaften. Durch Zehra Çiraks Texte entsteht ein nochmals anderer Blickwinkel darauf. Mit Jürgen Walters kurzen, die jeweilige Wissenschaft erläuternden und zugleich einleitenden, Sätzen wird eine Brücke zu den lyrischen Texten von Zehra Çirak geschlagen, die mit ihren eigenen Sprach-Bildern spielerisch auf die entsprechenden Objekte und Wissenschaften eingeht. Durchgehend zweisprachig: deutsch-englisch.

Heinz Siery was one of the most important personalities in the field of ceramics design in the 1950s and 1960s. His design forms significantly shaped the style of the products of companies such as Fohr, Scheurich, Carstens and Ruscha. Ingrid Siery also began her artistic career in the ceramics industry. She designed decorative objects for Georg Schmider and Carstens and oversaw the design department at the Wächtersbach earthenware factory.Since 1969, the artist couple have been working independently in their own Syré atelier. Apart from commissioned work such as designing tiled stoves and ceramic wall decorations, they also create their own works, such as figural sculptures made of bronze, whose simplicity and elegance have fascinated the couple from the beginning. They have created sleek sculptures with a minimalist, classical form and clear lines that are reminiscent of Henry Moore and Joannis Avramidis.Their atelier near Euskirchen houses a sculpture park and more than 300 of the couple's works - it is in itself a work of art reflecting the artistic life of Ingrid and Heinz Siery.Text in English and German.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.17

Leichte Lagerspuren, ungelesen. Aus dem Archiv des Verlages. Sprache - Deutsch.

Book is in NEW condition. 1.06

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 1.06